It really just depends on what you pitch. A lot of people think that you have to make a film with that money. It’s very validating to receive that kind of cash just to research something. This time, I essentially proposed doing a year of research towards expanding my practice into stop motion animation. I think nine or ten other artists each got roughly ten-thousand dollar grants.Įach time I applied for the grant, it was for a different project idea. I had applied for the same grant multiple years in a row, and this was the first year that I’ve gotten the grant. They have several categories in which you can apply I applied in the media arts category. I was awarded the Minnesota State Arts Board Artist Initiative grant. But you’re adding this extra hurdle of trying to do a form of animation that you’ve never done before and even building it all yourself from scratch. So it was scary, because of the scale that studios like Laika work on-but I was also seeing shorter works that made stop-motion appear more feasible.Īnimation already takes up so much time. I had checked out the ParaNorman art book from the library and just paged through that: looking at all the materials they use and all the different people who build objects and build the world. What stops a lot of people from getting into stop motion is that it seems scary and difficult. As I was starting to feel more comfortable with the principles of animation and movement, I decided to take those skills and other skills that I had learned in college and mix them together-stop motion made the most sense. Seeing things move was awesome but I wasn’t getting the kind of tangible experience that I want out of making things. I started with 2D animation in Photoshop, but drawing on a tablet didn’t really feel great. I’ve been doing animation for about five years and I’m self-taught. You’ve been working with stop motion armatures.
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